ROUTING / MY BODY, YOUR CHOICE
October 4, 6, 10, 11 at 7:30pm
October 5, 12 at 2:00pm
CRASHBOX, 5305 Bolm Rd Unit 12
ARCOS is committed to relational, rather than transactional, practices of sharing resources, knowledge, and care in art-making. ARCOS Presents awardees receive financial support, including an artist stipend, production budget, studio rehearsal space, technical inventory access, and performance venue. Additionally, mentorship provides awardees creative thought-partnering, production and technical support, and community outreach guidance.
Routing by Sanchita Sharma
A personal and communal practice that traverses the “migrant’s time” (Guha 1998; Mathur 2011), attempting to interweave a life left behind and a life begun in the diaspora—to connect with the “Other” made to feel like an outsider, longing to be seen and to belong.
My Body, Your Choice by Al Hamauei
A retaliation, a femme-punk manifesto, a vocally rebellious, audience interactive, rage-infused piece of dance theater attacking what it’s like to move through the world as a femme-bodied person.
Routing by Sanchita Sharma
A personal and communal practice that traverses the “migrant’s time” (Guha 1998; Mathur 2011), attempting to interweave a life left behind and a life begun in the diaspora—to connect with the “Other” made to feel like an outsider, longing to be seen and to belong.
My Body, Your Choice by Al Hamauei
A retaliation, a femme-punk manifesto, a vocally rebellious, audience interactive, rage-infused piece of dance theater attacking what it’s like to move through the world as a femme-bodied person.
Content Note:
Explicit discussion of sexual assault and harassment, strong language, mature content.
Contact us if you need to at a@arcosdance.com or 801.810.5091.
PROGRAM / CREDITS
Featured Artists: Al Hamauei, Sanchita Sharma
Producers: Eliot Fisher, EG Gionfriddo
Production Stage Manager: Ciceley Fullylove
Lighting Designer: Tory Borgstedte
Application Reviewers: Kaitlyn B. Jones, Angelica Monteiro
Guest Respondents: Leah Cox, Lana Lesley
Music: Jolly Roger Studio
Costumes: Kelsey Oliver
Videography: Celeste Camfield & Sanchita Sharma
Video Editing: Celeste Camfield
Performers: Celeste Camfield, Aída Hernandez-Reyes, Sanchita Sharma
PROGRAM NOTE
A personal and communal practice that traverses the “migrant’s time” (Guha 1998; Mathur 2011), attempting to interweave a life left behind and a life begun in the diaspora—to connect with the “Other” made to feel like an outsider, longing to be seen and to belong.
SPECIAL THANKS
ARCOS, my collaborators, & Rahul.
Social Media: instagram.com/sanchitanksharma/
Website: sanchita-sharma.com
Costumes: Kelsey Oliver
Videography: Celeste Camfield & Sanchita Sharma
Video Editing: Celeste Camfield
Performers: Celeste Camfield, Aída Hernandez-Reyes, Sanchita Sharma
PROGRAM NOTE
A personal and communal practice that traverses the “migrant’s time” (Guha 1998; Mathur 2011), attempting to interweave a life left behind and a life begun in the diaspora—to connect with the “Other” made to feel like an outsider, longing to be seen and to belong.
SPECIAL THANKS
ARCOS, my collaborators, & Rahul.
Social Media: instagram.com/sanchitanksharma/
Website: sanchita-sharma.com
. . .
INTERMISSION
. . .
Music: Jolly Roger Studio and “Girl Fight” by Deadtramps
Costumes: Kelsey Oliver
Performers: E’ja Alexander, Taylor Dominique, Al Hamauei
PROGRAM NOTE
A retaliation, a femme-punk manifesto, a vocally rebellious, audience interactive, rage-infused piece of dance theater attacking what it’s like to move through the world as a femme-bodied person.
CONTENT NOTE
Explicit discussion of sexual assault and harassment, strong language, mature content.
SPECIAL THANKS
My family, my friends, and the femme-bodied community.
Social Media: instagram.com/g00ch_l0rd/
ARTIST BIOGRAPHIES
AL HAMAUEI
Al Hamauei (they/them) is an emerging artist, choreographer, and performer in Austin, TX, pushing the boundaries of dance, acting, and comedy. A graduate of the University of Texas at Austin with a BFA in Dance, Al uses their body as a weapon for social change—turning movement into a raw, unfiltered commentary on mental illness, queerness, and misogyny. With each piece, they create fearless spaces where intersectional identities collide and flourish. Through provocative, unapologetic performance, they invite audiences to face uncomfortable truths and find liberation in the chaos of it all.
Al Hamauei (they/them) is an emerging artist, choreographer, and performer in Austin, TX, pushing the boundaries of dance, acting, and comedy. A graduate of the University of Texas at Austin with a BFA in Dance, Al uses their body as a weapon for social change—turning movement into a raw, unfiltered commentary on mental illness, queerness, and misogyny. With each piece, they create fearless spaces where intersectional identities collide and flourish. Through provocative, unapologetic performance, they invite audiences to face uncomfortable truths and find liberation in the chaos of it all.
SANCHITA SHARMA
Sanchita Sharma (she/her) is a New Delhi-born, Austin-based performing artist, choreographer, and dance scholar. She earned her PhD in Culture and Performance from University of California, Los Angeles, where she researched the politics of corporeal dissent in Indian contemporary dance. Through an interdisciplinary approach to dance-making, Sanchita explores themes such as attention, hyper-visibility and migration as manifested in her female dancing body. Layering movement, language, visual media and sound, she dreams of creating robust worlds that integrate her emotional landscapes. Her dances have been presented at Austin Dance Festival, Preheat Film Festival, ACC’s Faculty and Guest Artist Dance Concert, and Day of Dance Festival (Austin), UCLA Broad Art Center, Inside/Outside Festival (New Delhi), and Maya Dance Theatre (Singapore), among others, and will be showcased at Small Plates Choreography Festival and Dance Carousel (Austin) in September 2025. She currently works as an Adjunct Assistant Professor of Dance and Instructional Associate at Austin Community College, and volunteers as the Chair for Dance Studies Association’s working group, Practice-as-Research.
Sanchita Sharma (she/her) is a New Delhi-born, Austin-based performing artist, choreographer, and dance scholar. She earned her PhD in Culture and Performance from University of California, Los Angeles, where she researched the politics of corporeal dissent in Indian contemporary dance. Through an interdisciplinary approach to dance-making, Sanchita explores themes such as attention, hyper-visibility and migration as manifested in her female dancing body. Layering movement, language, visual media and sound, she dreams of creating robust worlds that integrate her emotional landscapes. Her dances have been presented at Austin Dance Festival, Preheat Film Festival, ACC’s Faculty and Guest Artist Dance Concert, and Day of Dance Festival (Austin), UCLA Broad Art Center, Inside/Outside Festival (New Delhi), and Maya Dance Theatre (Singapore), among others, and will be showcased at Small Plates Choreography Festival and Dance Carousel (Austin) in September 2025. She currently works as an Adjunct Assistant Professor of Dance and Instructional Associate at Austin Community College, and volunteers as the Chair for Dance Studies Association’s working group, Practice-as-Research.
Past ARCOS Presents awarded artists include:
- Adrian José Flores for
MESTIZO, Anna Bauer with Celeste Camfield for delicates, The Clubhouse (Gabbi Melton and Sarah Smith) for The Tale of the Swamp Witch, Saraswati Nandini Majumdar and Venese Alcantar for Empty Beat (2025) - Kelly Goetz for Menstruator and Ciceley Fullylove for Rhythm & Grooves (2024) at CRASHBOX
- Angelica Monteiro for Narratives of the Migrant Body (2023) at Motion Media Arts Center
- Interdisciplinary tap artist Michael J. Love for The Auralvisual Mixtape Collection, Part II: Dope Fit! (2019) at Carver Museum and Cultural Center
- University of Texas at Austin alums anxious 20yr olds (Gianina Casale, D’Launa Lawson, Oluwaseun Samuel Olayiwola, Lizzette Chapa, Hunter Sturgis) for This Isn’t New (2017) at Museum of Human Achievement
This project is supported in part by the City of Austin Economic Development Department.